Archive for February, 2009

Mr. Monk and the Two Assistants- Way Under

Friday, February 20th, 2009

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I try not to curse in public and certainly not in print. But Oh. My. God. I hated this book. In my post about the trouble with MONK, I was still reading the novel. This what I wrote mid-read…

“I have put off finishing the Mr. Monk and the Two Assistants novel because it is just terrible. To get the characters into the right dramatic position, the writer has to make the lead characters act out of character and do just downright stupid things to advance the plot. For example, Monk decides to buy a dental chart off the wall of a dentist’s office, thinking it is great art and demonstrating that he has most likely never been to a dentist at his age. Again. Hilarity. This occasional hackery is what makes Monk a decent series and keeps it from being a great series.”

Don’t get me wrong, the first two, two and a half seasons of the show are top notch stuff. Back then, he was not totally loaded down with phobias due to the freak out of the week he needed to have to keep driving the show. I loved that initial sketch of the character. And I understand why Natalie narrates the books. It helps keep you out of Monk’s head and makes you an observer of Monk, duplicating the viewing experience.

Let’s get past the gags about Monk thinking that a poster on the wall in the orthodontist’s office wall is art. And the one where Monk is unfamiliar with Catholic tradition. Those are mostly unfunny and cast doubt on whether Monk has ever interacted with the outside world which steps on the whole Greatest Detective thing.

Let’s look at story mechanics. The feisty sidekick Sharona Fleming worked with Monk while watching him solve at least forty impossible cases if you just take the volume of cases solved in the episodes with her as the loyal nurse. But when her husband is charged with murder, she naturally assumes he is guilty. He claims to be innocent, but she assumes the worst without even a call to Monk. Why, you ask? So that she can accidentally run into Monk and tell him the story.

While on the story mechanic thing, can I ask that we give the in-jokes a rest? In a famous comic book series, the fact that every major structure is named after a famous comic creator is distracting. Imagine watching a movie where someone is confirming directions with a line of dialogue like this… “So I follow the Hitchcock Highway to the Frankenheimer Turn Around past the Eastwood Monument until I pass to the Spielberg Sanctuary and I arrive at the Preminger Octagon. Gotcha.” I get the process of leaving Easter Eggs. Creators- leave that to the Easter Bunny!

Anyway, in the 27th Chapter of the book, the author reveals something that had been at the back of my mind for all of this time. In this scene, Sharona has had a revelation…

“I think I know why he hired you,” she said.
“You mean it wasn’t my vivacious personality and irrepressible charm?”
“You’re me,” Sharona said.

And with that I had to put the book down for a moment. When Sharona left the show, she was Monk’s Helper, a single mom with an absent ex-husband who was raising a teenage kid while living paycheck to paycheck. She was replaced by Natalie, a single mom with a deceased husband who was raising a teenage kid while living paycheck to paycheck. Big stretch. I know everybody has a type, but come on. Any way, Sharona concludes the scene by telling Natalie how she has grown into the role of Monk’s Helper. Its one thing to be a little lazy, but it is another to point it out to the audience.

The great philosopher and much better writer Matthew Sturges recently said that being in a writer’s group makes you a better writer. That happens because you have to defend your work to your peers and not to your fans. This Monk book needed something like peer review.

The producers of the TV series recently announced that the coming Eighth season of the show would be the last. I hope that Monk gets an adequate send off. God help us, these books might go on forever. This one sure felt like it did.

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The Equalizer- Season One- Way Over

Thursday, February 19th, 2009

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I loved this show when it first came on network TV in the mid 1980’s. British Mysteries are one of the things that bring me pure pleasure whether it is the Brother Cadfael mysteries, Foyle’s War, Danger Man, the Saint, Inspector Morse or even Keen Eddie. When it comes to TV mysteries, I am an anglophile. As close as I can figure, The Equalizer was a warning sign of manias to come or the incident that gets the snowball rolling. Either way, I love this show and its faults.

The premise is simple and elegant. Edward Woodward plays Robert McCall an ex-spy that has quit the game to be closer to his son. Living in New York City, he runs an ad in the classifieds in the newspaper and helps people in need, the kind of people that the police will not help. At that, The Equalizer is a lot like the Twilight Zone in that brilliant young actors pop up in every other scene. A young and skinny Charles Dutton plays a thug. A young and skinny Robert Davi plays a bad guy. A young and skinny Kim Delaney plays an actress looking for a big break. A young… You get the point. Bradley Whitford, a tiny Melissa Joan Hart and MONK’s Tony Shaloub get guest turns. Even Luis freaking Guzman shows up in one episode as a Gypsy cab driver.

The show’s one fault is that it is a little formulaic and a little too true to the times. In the episode Reign of Terror, the bad guy gang members are dressed like backup dancers for Pat Benatar. Not exactly threatening. It is a period piece with the men wearing skinny ties and the women sporting shoulder pads. Every other young person has a mullet. Adam Ant appears as a high-class pimp.

Nobody plays outrage like Woodward and the confrontational scenes with him and his old friend at The Company are among the best. Control who is played by genre TV staple Robert Lansing, plays off of Woodward with amazing skill. And just how good is Edward Woodward in the role? When he had a heart attack while filming the third season, he got replaced for a couple of episodes by Robert Mitchum. Yes. That Robert Mitchum.

Shot on location before NYC was revitalized, the Manhattan of The Equalizer is unlit and almost always in winter with its bare trees in Central Park. Joel (24) Surnow was a writer on the series as was Michael (Harry O) Sloan. They make the best of the setting with the twin towers cropping up in a few backgrounds.

The DVD extras are light with one excellent bonus episode from the Second Season and one commentary track by series creator Michael Sloan. Still, this is entertaining and grim stuff.

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Writing Writers That Write!

Tuesday, February 3rd, 2009

Hello all,

We are having a writing contest over at the Clockwork Storybook Blog, so come on over and cheer for somebody. We are all working on random stuff and I can chat about mine, but as you might guess, Willingham is reluctant to tell you what is coming up in FABLES. Ditto for Sturges and the HOUSE OF MYSTERY.

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